Based on the documentary The Last Word, English director Simon Rumley’s (whose segment in The ABCs Of Death, “P Is For Pressure” left a pretty lasting impact) Johnny Frank Garrett...
Hot on the heels of JeruZalem with a Z comes The Rezort with a Z. Z means zombie. Geddit? It’s clever because it’s obvious. Described by film critic and Frightfest co-founder Alan Jones as...
It takes a brave-ass movie to nod to both 3D and found footage (two things movie fans at large, never mind horror aficionados in particular, are utterly sick of) in its title. Even braver to favourabl...
Sherlock Holmes and the Servants of Hell has a concept so bizarre you wouldn’t think it could possibly work. What if Holmes, world’s greatest detective, faced off against Clive Barker&#x...
Rob Zombie’s 31 opens with a lengthy, to-camera monologue shot in surprisingly (for this particular filmmaker) arty monochrome. A paint-and-blood splattered miscreant addresses the audience...
Who’s in the mood for an indie horror film? This week I’m reviewing Andy Palmer’s comedy horror The Funhouse Massacre. I’m a sucker for horror-comedies and decided to give...
Clayton ‘Clay’ Riddell is a struggling artist from Maine who just landed the graphic novel deal of a lifetime. While at the airport he decides to call his alienated wife to share the ...
The fear of getting lost in the woods is pretty nerve-racking, so it’s no surprise that filmmakers have been capitalizing on it for generations. In Beacon Point, the debut feature from...
Bloody Moon opens with a disfigured man named Miguel. From the start, you can’t help but feel sorry for him. Not only is he sexually frustrated, but he’s also misconceived. Due to the disf...