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‘Brooklyn 45’ is Strongest in Its Quietest Moments [Review]

Sometimes, all you need for a film to work is to put a group of great actors in a room together and let them do their thing. Such is the case with Brooklyn 45, the latest feature from writer-director ...

Killer Kites is So Much Better Than It Has Any Right to Be [Review]

With a title like Killer Kites, you know exactly what you’re in for–especially if you’ve seen the delightfully unhinged trailer. This is the kind of wacky, no-holds-barred, zero-b...

Return of the Living Dead

‘80s Horror Comedies That Defined the Decade

The 1980s, among many other distinctions, was the golden age of horror comedies. There had been great films combining horror and humor dating back at least to Abbott & Costello Meet Frankenstein a...

Corpses, Lords, and Rob Zombie’s Incredible 10-Year Growth as a Filmmaker

House of 1000 Corpses and The Lords of Salem were released in the same month ten years apart. They couldn’t be more different in theme, execution, look, and tone, with Corpses imbued with a bra...

The Black Demon Needs More Shark Action, Less Everything Else [Review]

There are so many shark movies being released of late that it’s almost impossible for one to differentiate itself, so credit to The Black Demon for putting a spin on an overdone concept by incl...

Chilling Settings in Horror

Ten More of the Most Chilling Settings in Horror

One of the most obvious parts of the film-going experience is the presentation of images given to the audience. Many components contribute to the scare factor in a horror film. Elements like sound, ac...

Sick of Myself is a Scathing Portrait of Millennial Malaise [Review]

Sick of Myself, aka Sik Pike, the sophomore effort from Norwegian writer-director Kristoffer Borgli, takes a sledgehammer to the so-called attention economy. Rather than dealing with an obsessively on...

‘The Unheard’ is an Overstuffed but Atmospheric Chiller from Shudder [Review]

With his sophomore feature The Unheard, filmmaker Jeffery A. Brown cements himself as a promising directorial voice in the indie horror world. The contemplative horror follows a young deaf woman named...

Anthony DiBlasi and Jessica Sula Talk Malum [Interview]

With his latest movie, Malum, indie filmmaker Anthony DiBlasi returns to the world he first established in 2014’s fan favorite shocker Last Shift. This time around, DiBlasi has a larger scope, ...