Sometimes, all you need for a film to work is to put a group of great actors in a room together and let them do their thing. Such is the case with Brooklyn 45, the latest feature from writer-director ...
With a title like Killer Kites, you know exactly what you’re in for–especially if you’ve seen the delightfully unhinged trailer. This is the kind of wacky, no-holds-barred, zero-b...
The 1980s, among many other distinctions, was the golden age of horror comedies. There had been great films combining horror and humor dating back at least to Abbott & Costello Meet Frankenstein a...
House of 1000 Corpses and The Lords of Salem were released in the same month ten years apart. They couldn’t be more different in theme, execution, look, and tone, with Corpses imbued with a bra...
There are so many shark movies being released of late that it’s almost impossible for one to differentiate itself, so credit to The Black Demon for putting a spin on an overdone concept by incl...
One of the most obvious parts of the film-going experience is the presentation of images given to the audience. Many components contribute to the scare factor in a horror film. Elements like sound, ac...
Sick of Myself, aka Sik Pike, the sophomore effort from Norwegian writer-director Kristoffer Borgli, takes a sledgehammer to the so-called attention economy. Rather than dealing with an obsessively on...
With his sophomore feature The Unheard, filmmaker Jeffery A. Brown cements himself as a promising directorial voice in the indie horror world. The contemplative horror follows a young deaf woman named...
With his latest movie, Malum, indie filmmaker Anthony DiBlasi returns to the world he first established in 2014’s fan favorite shocker Last Shift. This time around, DiBlasi has a larger scope, ...