Climax sees the return of cinema’s greatest self-proclaimed enfant terrible, Gaspar Noé, following the oddly un-sexy 3D extravaganza that was 2015’s Love. It’s his best reviewed...
Exorcist II: The Heretic sees The Catholic Church sending Father Lamont on a mission to find out exactly what happened to Father Merrin and uncover the details surrounding his untimely demise. Regan h...
Puppet Master: The Littlest Reich follows recently-divorced Edgar (Thomas Lennon) as he, his boss/friend Markowitz (Nelson Franklin), and Edgar’s new girlfriend Ashley (Jenny Pellicer) make...
I’ve heard two fundamental schools of thought about what a cover song should do. In one, a song is radically transformed. Think of the way Johnny Cash transformed Nine-Inch Nails’s ...
There exists a place that no rational person would willingly go to. Unidentified flying objects, cattle mutilations and long extinct animals all claim the Skinwalker Ranch as home. The ranch is a veri...
Most movies struggle to adhere to the constraints of one genre, or sub-genre. Anna and the Apocalypse proudly belongs to three; zombie movie, Christmas movie, and musical. It’s also, technically...
The Universal Monsters are and will always be the premiere legacy franchises in horror. Before New Line was the House That Freddy Built, Universal built itself on the backs of Dracula and Frankenstein...
The Man Who Killed Hitler and then The Bigfoot is not worthy of its epic title, let’s just get that out of the way. It may star Great American Hero Sam Elliott and yes, a version of him does fig...
Piercing is a title that suggests all manner of stabbings and such, as opposed to an actual piercing. But this, the sophomore feature from The Eyes Of My Mother director Nicholas Pesce, features ...