Reviews
The Possession of Hannah Grace Doesn’t Possess Its Viewers [Blu-Ray Review]
Most possession flicks end with the exorcism: a mostly triumphant banishing of the thing that’s been bumping in the night and swaying innocent girls away from Puritanical gender norms. (Are the...
Bloody Birthday is a So Bad it’s Good Masterpiece [Retrospective]
Bloody Birthday sees three children who were born on the eve of an eclipse preparing for a giant celebration in honor of their tenth birthday. Because their birth occurred during an eclipse,...
The Horror of Dolores Roach is Like Sweeney Todd Set in Brooklyn [Review]
From Gimlet, the same network behind Conviction and Homecoming, comes The Horror of Dolores Roach, staring Daphne Rubin-Vega and Bobby Cannavale. Written by playwright Aaron Mark, The Horror of Dolore...
Why The Night Evelyn Came Out of the Grave is a Must See!
Emilio Miraglia’s The Night Evelyn Came Out of the Grave is a an Italian-made British horror film that features velvet suits, gloved killers, the unexpected appearance of free-spirited band...
Back to the ’80s: Psycho III
Welcome to Back to the ’80s. This recurring feature aims to take a look at the good, the bad, and the ugly from horror’s most beloved decade. Regardless of which category a particul...
Why Valentine is a Respectable Alternative To My Bloody Valentine
There are a ton of options for what to watch on Valentine’s Day, but for me it usually comes down to George Mihalka’s 1981 My Bloody Valentine and Jamie Blanks’ 2001 film Valentine. ...
Possum is Pure Nightmare Fuel [Review]
Possum has been on my radar for what feels like forever. A creepy little snippet from it played at Frightfest 2017 , and all of the marketing material released thus far just screams “MOST DISTUR...
Happy Death Day 2U [Review]
In Happy Death Day, a college coed (Jessica Rothe) must relive the day of her death on repeat until she discovers the identity of her killer. In Happy Death Day 2U (which will see release We...
Haunted Hospital (Heilstätten) Needs the Infirmary [Blu-Ray Review]
Originality is overrated. The best stories are the ones that execute well. Wes Craven’s classic Scream is a pastiche. With the exception of the Billy/Stu reveal at the end, it borrows every blo...