When I sat down to watch Come to Daddy, I almost immediately gathered that it was going to be tonally diverse. It opens with a quote from Shakespeare, followed immediately by a quote from Be...
I tried to avoid reviews of The Grudge (2020) going in. I’d seen quite a few negative social media reactions and heard from a few friends and fellow critics that it wasn’t good. ...
The Rabid Dog’s House is a recurring feature at Wicked Horror where contributor Justin Steele uncovers hidden gems, lost classics, and overlooked indie offerings. Flying solo or with the o...
Thankfully, feminist horror films and sex-positive cinema are becoming more and more commonplace of late. And we owe a debt of gratitude for the shifting paradigm to movements like Me Too and TimeR...
The Hunt is finally here. The film we never thought we’d get to see because of all of those pesky mass shootings is being released upon the masses right in the middle of a global pandemic. And, ...
One of the worst phone calls a parent could get is someone informing them that their child is dead. However, due in part with the skyrocketing cases of gun violence in recent years, an arguably more t...
The Travel Channel’s True Terror with Robert Englund is an ominous ode to similar shows of the past. True Terror exudes the same emotions as cult classics such as Unsolved Mysteries and Beyond B...
The Witch: Part 1 — The Subversion opens with Ja-Yoon (played by Kim Ha-Na as a child, Da-mi Kim as an adult) escaping a facility. It’s never made clear who exactly owns or runs this fac...
Would you rather be happy or yourself? Jessica Hausner’s Little Joe asks viewers to ponder that, and other philosophical questions. What defines the self? How much of what you do is by choice, ...