A movie like Butt Boy is impossible to review, in the traditional sense. To critique any piece of media properly, there has to be some sort of measuring stick, some sort of preexisting gauge of qualit...
The ending of George A. Romero’s Night of the Living Dead is iconic. Ben, as brilliantly played by Duane Jones, goes to the window while an all-white militia is sweeping toward the farmhouse, h...
Cursed Films opened its season with explorations of the superstitions surrounding The Exorcist, Poltergeist, and The Omen. The religious and spiritual nature of the themes these films touch on seeming...
If you mashed Legally Blonde with hit true crime podcast My Favorite Murder, you would probably get Let’s Go to Court. Hosted by two of the greatest legal minds of our time, okay, not reall...
Last year’s brilliant Satanic Panic pitted a pizza delivery girl against a group of rich Satanists in suburbia. We Summon the Darkness posits that it’s actually the young woman whoȁ...
In The Trap is the first English language feature from director Alessio Liguori (Report 51). Opening with an extended flashback sequence, a title card indicates this particular rainy night is in the s...
We’re in a moment where many properties seem prescient in ways not initially intended. Sea Fever’s personal and ethical dilemmas would have been relevant at any time, but they resonate e...
Cursed Films is a series that recently premiered its debut episode on Shudder. The show highlights the hexed histories of some horror classics. The horror genre manifests occult-oriented oddities by i...
My parents sent me to a Catholic all boys high school to “avoid distractions.” What “distractions” means, if you haven’t been indoctrinated into the bizarre sexist c...