Godzilla vs. Kong is performing epically, at least in pandemic box office terms, and it’s easy to understand why. The film delivers grand blockbuster entertainment. It’s a slugfest with b...
Much horror literature plays on our fear and fascination with the person we see in the mirror: a fear of what we’re hiding or don’t know about ourselves, a fear of who we’ve been ...
The Arbors is one of the more emotional horror films I’ve experienced this year. At first glance it’s a creature feature, but plays out more as a psychological thriller. Ethan (Drew Matt...
I mourn the dissolution of Astron 6 and I will watch just about anything created by former members of the collective. And on that note, I’m pleased to say that Psycho Goreman feels ve...
Paul Dood is not a great stage name for a U.S. audience, or really any audience to be fair. And yet schlubby momma’s boy Paul (Tom Meeten) is convinced he has what it takes to make it big. The ...
Sound of Violence is an interesting companion piece to Sound of Metal, the Riz Ahmed-starring, Oscar-nominated drama about a drummer who suddenly loses his hearing, and not simply because the two movi...
While the term “folk horror” is relatively new, the imagery and concepts are familiar to most horror fans. Isolated communities and dark secrets. Ancient rites and forgotten incantations w...
Jakob’s Wife is a powerful film that is equal parts horror flick and pitch-black comedy. It takes shots at the patriarchy and serves up some really memorable carnage in the process. It also bro...
Offseason is undoubtedly un film de Mickey Keating, which will either fill you with excitement or dread. Opening with the great Melora Walters (give her more work!) delivering a monologue to camera be...