The Australian film Leviticus delves into LGBT rights, religious persecution and self-denial, but the supernatural plot feels quite familiar.
The once shelved M3GAN spin-off Soulm8te is resurrected on VOD — but it's all been there, done that material.
The End of Oak Street doesn't exactly succeed at bringing the PG-13 horror to the masses — although it does have its moments.
Her Private Hell marks Nicolas Winding Refn's return to filmmaking ... but is his latest film just a colossal waste of time and talent?
Teenage Sex and Death at Camp Miasma is a rarity — a meta-slasher movie that actually RESPECTS its source inspiration.
Ice Cream Man is all mayhem, virtually zero plot and it won't change your opinion on Eli Roth (whatever that might be.)
Pierre Tsigaridis' Frankie, Maniac Woman turns the slasher psychodrama subgenre on its head ... right after it decapitates it, of course.
Mockbuster dives deep into the misery of making a no-budget ripoff movie for The Asylum ... and might even pluck at your heart strings.
Whistle is a rare modern horror movie that actually feels like a late 1980s genre flick — and that's both a good thing AND a bad thing.