The EC comics of the 1950s were revolutionary. In some ways, they were the decade’s only source of horror. On screen, nearly all horror was science fiction, to at least some degree. There was n...
Todd McFarlane rose to comic book superstardom in the late eighties with his work on Amazing Spider-Man. His artwork redefined that character and that world, allowing him to take over a new Spider-Man...
The flagship Valiant character is resurrected for a new (and exceedingly bloody) reboot series. Does it succeed where other revamps haven’t? Shadowman is a character that’s gone through q...
The Butcher of Paris #5 “Beating Chance” closes out the series with a whimper. Writer Stephanie Phillips and artist Dean Kotz have great intentions. They’re putting a much needed ...
The Butcher of Paris #4 “Liberté” is the best issue in the series thus far with one remaining. It opens with a beautiful splash page where the citizens of Paris liberate their city,...
Nicnevin and the Bloody Queen follows Nissy (Nicnevin) a rebellious teenage girl who is whisked away to her maternal grandmother’s abandoned estate alongside her kid brother. Nissy is not a fan...
True crime succeeds or fails based on how well it avoids exploiting the real life murders it portrays. The best true crime tends to empathize with the victims or the investigators, while analyzing the...
The shorter a story is, the less room it has to sag. At four issues, The Butcher of Paris is going to be about as short as limited comic series get. Unfortunately, the second issue, “The Reign ...
Everything started rocky, but it’s finally hit its stride. More than anything, it’s because like issue 3, issue 4 has moved beyond hinting at questions and has started hinting at answers...